Creative Work Spaces

India Hicks

Proust on Design: India Hicks | CLOTH & KIND

what is your idea of perfect design happiness? IS THERE SUCH A THING? A PERFECTLY POOFED PINK SOFA FREE OF DOG HAIR AND OREO COOKIE STAINS WOULD DO ME JUST FINE.

what is your greatest fear in design? THAT I WAKE UP ONE MORNING AND FIND THE ANISH KAPOOROLYMPIC TOWER IN MY GARDEN. ANISH IS A CLOSE FRIEND AND BRILLIANT ARTIST BUT GOOD GOD THAT THING IS HIDEOUS.

which historical design figure do you most identify with? WELL HAVING DAVID HICKS AS YOUR FATHER CERTAINLY MEANS HE IS IN MY DNA. QUITE LITERALLY.

which living designer do you most admire? KELLY WEARSTLER. NOT BECAUSE I WOULD NECESSARILY WANT TO LIVE IN ONE OF HER INTERIORS BUT BECAUSE SHE HAS GUTS, DRIVE, DETERMINATION AND ABOVE ALL HER OWN POINT OF VIEW. SHE IS A BEAUTIFUL HARD WORKING WOMAN WHO HAS MADE IT ON HER OWN AND IS A MOTHER ON TOP OF ALL THAT.

Proust on Design: India Hicks | CLOTH & KIND

what profession other than design would you like to attempt? I WOULD LIKE TO EDIT A MAGAZINE. I LIKE LONG HOURS, I LIKE A CHALLENGE, I LIKE DEADLINES BUT MOST OF ALL I LIKE BEAUTIFULLY LAID OUT PAGES OF GOOD DESIGN COUPLED WITH INTERESTING FACT.

what is your greatest design extravagance? I DON’T HUGELY OVER SPEND WHEN IT COMES TO DESIGN OR INTERIORS, PROBABLY LESS SO THAN MOST, BUT WE DO HAVE HUNDREDS OF COFFEE TABLE BOOKS. A GREAT INDULGENCE BECAUSE YOU REALLY NEVER READ THE COPY YOU ONLY FLEETINGLY GLIMPSE AT A WORD OR TWO.

when and where were you happiest with your design? RIGHT NOW. RIGHT THIS MINUTE IN MY PALE PINK OFFICE ON A BAHAMAIN SPRING DAY KNOWING THAT MY COLLECTION FOR HSN EXCEEDED ALL OUR EXPECTATIONS AND SALES GOALS. AM I ALLOWED TO BOAST ABOUT THAT?

Proust on Design: India Hicks | CLOTH & KIND

what do you consider your greatest achievement in design? MY WEBSITE! IT’S A HUGE PROJECT AND ENORMOUS COMMITMENT. BLOOD, SWEAT AND TEARS GO INTO IT. FEW PEOPLE UNDERSTAND WHAT IT TAKES FROM A PERSONAL AND FINANCIAL COMMITMENT TO KEEP AN ECOMMERCE SITE MOVING FORWARD.

if you died and came back as another designer or design object, who or what do you think it would be? A SMYTHSON LEATHER BOUND PHOTO ALBUM IN THE HICKS FLINT WOOD HOUSEHOLD. MY CHILDREN LOVE THEIR SCRAP BOOKS FILLED WITH PHOTOS, NOTES, LETTERS, AND MEMORABILIA. LOVING CHERISHED AND LOOKED AFTER.

Proust on Design: India Hicks | CLOTH & KIND

what specific design related talent are you lacking that you would you most like to have? THE ACCOUNTING SIDE OF A DESIGN PROJECT!

what is your most treasured design related possession? MY IPHONE CAMERA. I RECORD EVERYTHING – TEXTURES, COLOURS, MOODS.

what do you regard as the lowest depths of misery in design? A HORRIBLE CLIENT.

what curse word do you most frequently use? I HAVE SEVERAL. THEY ARE ALL VERY EFFECTIVE.

Proust on Design: India Hicks | CLOTH & KIND

what is your favorite design related word? PERFECT.

what is your least favorite design related word? ICON.

what turns you on in design? FORM AND FUNCTION.

what turns you off in design? ANYTHING OVER-PRICED. A CHAIR, A CARPENTER, A CAN OF PAINT.

 what is your motto in design? “GOOD TASTE AND DESIGN ARE BY NO MEANS DEPENDENT UPON MONEY.” MY FATHER WROTE THIS INTO MY LITTLE AUTOGRAPH BOOK WHEN I WAS SEVEN. I DID NOT HAVE A CLUE WHAT IT MEANT.

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IMAGE CREDITS | Images courtesy of India Hicks, her Facebook page & Instagram. Kelly Wearstler image via Instagram.

ABOUT PROUST ON DESIGN | Answered by our design icons, these must-ask questions come from a 19th century parlor game made popular by Marcel Proust, the French novelist, essayist & critic. Proust believed the direct questions and honest responses that they elicited revealed the true nature of the individual. For this column, we have put a design related spin on the traditional questions. While this method has been used by many journalists throughout the years, we were primarily inspired by The Proust Questionnaire, which appears monthly on the back page of one of our all time favorite magazines, Vanity Fair (also Krista’s alma mater). Read all of the previous Proust on Design questionnaires here.

Sally King Benedict

Artist Sally King Benedict creates works that are a beautiful confluence of drawing and painting and that speak graphically in a visual language of color washes, abstract forms and intersecting lines. When creating, she does so unselfconsciously, with obvious freedom and spontaneity, and with a palpable openness, even when being observed. There is a purity to her work that is deeply rich and playful.There is no serious staring at the canvas or paper, no long contemplative moments before maker and medium meet. She glides effortlessly between several different works in progress, instinctive in her movements, dripping paint on this one, crushing charcoal on another, enjoying the fresh air on the back patio of her Atlanta studio where the light is dappled and the surrounding garden is lush and dreamy. She works with multiple brushes in hand at once, her cache of Japanese calligraphy brushes equally at home beside her hardware store bristle brushes that have been trashed by repeated scrubbings across her canvases. Like waves lapping the shore, she is easy come and go with her process, in a comfortable creative rhythm. If there is tension there, it is hidden behind her inherent effervescence of spirit, a quick and contagious Cheshire cat-like smile and fairy laugh.

Curated: Sally King Benedict | Guest Edited by Tami Ramsay | CLOTH & KIND

MOSS, 40 x 40, 2013 | Hidell Brooks Gallery

Benedict’s creative roots run deep, back to her childhood in Atlanta, GA, where she cut her milk teeth in a home that firmly encouraged all manner of creative ilke. “I have been painting and drawing and making sculpture ever since I can remember,” she said. “It always came naturally to me.” It didn't hurt that she was literally submerged in world of modern art by her parents, whose collection included works by Todd Murphy and Dennis Paul Williams. “My mom worked for her good friend Doug Macon who owned a contemporary art gallery in Atlanta in the 90s,” she said, “and Doug was always encouraging me to be creative.” It was this type of upbringing, one that relished whimsy and creative wit, that encouraged Benedict’s color outside the lines approach to self-expression and helped map the course to her current vocation.

Curated: Sally King Benedict | Guest Edited by Tami Ramsay | CLOTH & KIND

She went on to study studio art and painting at the College of Charleston in South Carolina under Cliff Peacock as well as printmaking under Barbara Duval. “This duo shaped my practice as an artist for sure,” Benedict said. “I learned something important from every bit of criticism they handed me.” After college, Benedict stayed in Charleston for several years, met and married her husband George, and enjoyed storied success as an artist, her paintings snatched up by collectors and gracing the pages of national and regional magazines. A phenomenal selection of her works are currently for sale at Hidell Brooks Gallery in Charlotte, NC, but if you can't make it there, good things come to those who shop online. Her website has an enviable bevy of new works up for grabs in her studio. Benedict has also recently collaborated with Serena & Lily and you can expect to see her original works on paper and canvas as well as signed limited edition fine art prints of her work through their Art Collection, which will be available in May. Stay posted and we'll let you know as soon as they are available so you can make haste and break out your plastic. In the meantime, enjoy an exclusive sneak peek of three works that will be offered by Serena & Lily in their Art Collection.

Curated: Sally King Benedict | Guest Edited by Tami Ramsay | CLOTH & KIND... Available in Serena & Lily's Art Collection starting in May 2013!
Curated: Sally King Benedict | Guest Edited by Tami Ramsay | CLOTH & KIND... Available in Serena & Lily's Art Collection starting in May 2013!
Curated: Sally King Benedict | Guest Edited by Tami Ramsay | CLOTH & KIND... Available in Serena & Lily's Art Collection starting in May 2013!

TOP | Brown Edge Paper, 10 x 13, paper, 2013 MIDDLE | Aquatint, limited edition print, 2013 BOTTOM | Abstract Gold, 20 x 24, canvas, 2013 All three, and others, will be available exclusively through Serena & Lily's Art Collection starting in May 2013

Admittedly, Benedict has been largely influenced by Abstract Expressionists like the great Helen Frankenthaler, a pioneer in Color Field painting, and Richard Diebenkorn, arguably one of the most influential and prolific American modern artists of the 20th century, as well as Pablo Picasso, Joan Mitchell and David Hockney. As such, she dallies part in figurative and geometric abstraction but there is something uniquely fresh and singular about her eye, her particular spin on abstract imagery. Her color sense is recognizably Benedict, her use of flax Belgian linen panels washed in her favorite hues of black, blue and white are a trademark and highly collectable. The subjects in her face paintings are partly abstraction and cubism, but again, in signature Benedict style, often appear well fed, cherubic, and echo Ziggy Stardust with geometric cheeks, blocky neon eyebrows and noses out of joint.

Curated: Sally King Benedict | Guest Edited by Tami Ramsay | CLOTH & KIND

GREEN BROW, 12 x 16, 2010 | guache and oil pastel on linen board

Curated: Sally King Benedict | Guest Edited by Tami Ramsay | CLOTH & KIND

SWEET CHEEKS, 24 x 24, 2013 | acrylic, gouache, ink, charcoal and oil pastel on linen 

Her sumi ink paintings are an altogether different subject. Historically, Japanese sumi ink painting verges on the mystical and is believed to capture the unseen with an indelible inked brush stroke, one that cannot be changed or altered—you know, like deep metaphors for life. Let’s just say Benedict’s sumi ink works are rooted in more of a I've got no idea how this is going to end up kind ofmysticism. She starts by moistening the Arches Rives BFK paper with water, loads her Japanese calligraphy brush with sumi ink and then, in a series of instinctive, broad strokes, water and ink react resulting in a crazy radial ripple effect, a squid ink like plume of subtle shading and tonal variation, that morphs and changes continually until the paper dries. Then for good measure Benedict grabs some charcoal and random pastels, crushes them into small bits and throws all that on the moistened paper. It’s this kind of approach to art that really excites Benedict. “I love seeing how different liquids and pigments take to different surfaces,” she said. ”It's a constant science project in my studio!”

Curated: Sally King Benedict | Guest Edited by Tami Ramsay | CLOTH & KIND

And speaking of fairies again, Benedict has an endearing lightness of being, much like Peter Pan, who knew that the real trick to happiness was to keep the best of the child you were at heart, without forgetting when you grow up.  Is it her lightness of constitution, her ebullience, that drives her creative vision and makes her art so desirable and lust worthy?  At the very least, it certainly lends itself to her emphatic embrace of motherhood to her nine month old son River. Benedict has most definitely grown up but it has only sweetened the deal for her artistically. “My entire being is better with a baby,” she said. “I no longer take time in the studio for granted. I feel like he has turned a light on within in me that I never knew I had.” That said, her days are delightfully filled with lots of painting, laughing and playing with her family. Her perfect day?  “Sunny, 75 degrees....road tripping with my husband and baby boy.....final destination: Duryea's Lobster Deck, Montauk.” My guess is that wherever she is, Benedict is always at play in the color field of her making, picking flowers and making daisy chains with a mischievous grin on her face.

Curated: Sally King Benedict | Guest Edited by Tami Ramsay | CLOTH & KIND

IMAGE CREDITS | Artwork images provided courtesy of Sally King Benedict. All other photography by Tami Ramsay, shot on location at the studio of Sally King Benedict in Atlanta, GA.

Madeline Weinrib

Proust on Design: Madeline Weinrib | CLOTH & KIND

what is your idea of perfect design happiness?
COPYRIGHT LAWS THAT PROTECT DESIGNERS
AND NOT BIG BUSINESS.

what is your greatest fear in design?
FEAR CAN LEAD TO BETTER DESIGN.

Proust on Design: Madeline Weinrib | CLOTH & KIND

which historical design figure do you most identify with?
FORTUNY.

which living designer do you most admire?
JACK LENOR LARSEN. I ADMIRE HIM NOT ONLY FOR HIS WORK,
BUT ALSO FOR HIS SUPPORT OF OTHER DESIGNERS.
HIS COLLECTIONS ARE WONDERFUL AS WELL.

Proust on Design: Madeline Weinrib | Jack Lenor Larsen | CLOTH & KIND

what profession other than design would you like to attempt?
COOKING.

what is your greatest design extravagance?
MY STUDIO. IT’S A BIG, LIGHT-FILLED SPACE
AND A PLEASURE TO WORK IN EVERY DAY.

Proust on Design: Madeline Weinrib | CLOTH & KIND

when and where were you happiest with your design?
I’M VERY CRITICAL OF MY OWN WORK.
FROM CONCEPTION TO COMPLETION, THE PROCESS CAN TAKE ONE TO TWO YEARS. IT’S A HAPPY DAY WHEN I FEEL A DESIGN IS FINALLY FINISHED.

what do you consider your greatest achievement in design?
CAN YOU ASK ME THAT AGAIN IN ANOTHER 20 YEARS?

if you died and came back as another designer or design object,
who or what do you think it would be?
IRONICALLY, I WOULD NOT BE A RUG.
I DON’T LIKE TO LET PEOPLE WALK ALL OVER ME.

Proust on Design: Madeline Weinrib | CLOTH & KIND

what specific design related talent are you lacking
that you would you most like to have?
THINKING IN SQUARE FOOTAGE.

what is your most treasured design related possession?
MY FORNASETTI CONSOLE.
I FOUND IT YEARS AGO IN A SECOND HAND SHOP.

what do you regard as the lowest depths of misery in design?
SEEING MY HANDMADE DESIGNS COPIED AND MASS PRODUCED.

what curse word do you most frequently use?
I USE THEM ALL.

what is your favorite design related word?
HARMONY.

Proust on Design: Madeline Weinrib | Styled by Lili Diallo | CLOTH & KIND

what is your least favorite design related word?
KITSCH.

what turns you on in design?
AUTHENTICITY AND ORIGINALITY.

what turns you off in design?
KNOCKOFFS.

what is your motto in design?
KEEP IT SIMPLE.

ABOUT PROUST ON DESIGN //  Answered by our design icons, these must-ask questions come from a 19th century parlor game made popular by Marcel Proust, the French novelist, essayist & critic. Proust believed the direct questions and honest responses that they elicited revealed the true nature of the individual. For this column, we have put an interior design related spin on the traditional questions. While this method has been used by many journalists throughout the years, we were primarily inspired by The Proust Questionnaire, which appears monthly on the back page of one of our all time favorite magazines, Vanity Fair (also Krista’s alma mater). Read all of our previous Proust on Design questionnaires here.  

IMAGE CREDITS // Lead image of Madeline provided by Madeline Weinrib & taken by photographer Jason Frank Rothenberg, Painting of Moroc wallpaper pattern, Moroc wallpaper,  Jack Lenor Larsen photograph, Larsen Retro fabric, Madeline's studio image provided by Madeline Weinrib, Bedroom image provided by Madeline Weinrib & styled by Lili Diallo.

Bookshelf Nirvana

HomeSweetHome: Bookshelf Nirvana // CLOTH & KIND

I took the lunch hour today to finish organizing my home office, complete with my first ever color-coded bookshelves. I hadn't planned on doing this, but it's always something that I've thought is incredibly aesthetically pleasing. When I stopped to think about it, I realized that having the luxury of my own little office tucked away on the 3rd floor of our new/old home means that I am able to fill these shelves with just my design-related books. All of our other books have a different home (definitely no color coding there, I might add). Since all of these titles are in the same genre I decided to give it a whirl and organize solely based on hue. I must say, it's kind of like design nirvana for me. What do you think? Am I officially off my rocker or would you ever consider color-coding your bookshelves too?

 

A Zigzag Line

A Zigzag Line // CLOTH & KIND

This quote from Emerson is posted on the bulletin board in my creative work space. It reminds me that it takes time to get where I'm going and to try to slow down and enjoy the ride. I'm pretty type A so often times I get impatient and just want to get there already, do you too? But then I take a deep breath and remember this. The words alone are calming to me, but even more so now that I've paired them with this serene painting from sherischart on Etsy layered with Walter G's hand block printed Squiggle fabric. What do you do when you need a reminder to chill out?

China Blue

Home Sweet Home: China Blue // CLOTH & KIND

As the renovation of our charming old house continues I've realized something about myself purely through the process of decorating this home. My favorite color is blue. Over and over again, in room after room, I find myself using various shades of this versatile hue. It's no wonder then that when it came to selecting the color for my most creative space - my home office - that I chose china blue for the palette.

LEFT // Vintage china plates from a flea market that I found on a recent trip to Saugatuck. RIGHT // The final selections for walls and windows.

For more specific product detail about what's going into this space, visit the Pinterest page for this room. So, what's your favorite color? Do you find yourself using it over and over again in your personal interior spaces?